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Researching Film
One of the key elements of film study is research.
As the world's most popular form of media, it is no surprise that the is a vast range of  sources with which to read more about study films, directors and key moments in film history.
Using critical thinking to understand what makes a valuable academic source is part of your work. Carefully consider the reliability and academic value of sources.
Presenting sources well and using citations / bibliographies are also important.

How to Research
The main sources for research films are:

BOOKS
The best source!
Either hard copy or e-books can be used. Googling a topic or searching in Amazon.com can help you find out if a book has been published on that topic.
Books written by key film academics and theorists are sources that should always be used in a film study.

KEY SOURCE: This BFI search looks at books, journals and more.
Oxford Bibliographies - search by key word/topic and a list of books will appear!

Use our classroom library of books and e-books.
Don't use this magic library


ACADEMIC JOURNALS
Many universities publish journals focused on a particular country's cinema. These can be found with a quick Google search and can often be sourced for free from their website or via JSTOR or Academia.edu.
USEFUL SOURCES:
Academia.edu
Intellect Books - home to journals on many national cinemas, including African, Asian and Italian films.
The Chinese Cinema Journal
Journal of Italian Cinema & Media Studies
A list of journals focusing on Latin American cinema
Journal of Japanese and Korean Cinema


ONLINE JOURNALS & ARCHIVES
- JSTOR: A subscription-based archive of books and journals. This includes every episode of Film Comment magazine.
​

FILM MAGAZINES
Film magazines often have digestible interviews and articles on key films. Sight & Sound and Film Comment are the two most respected. French journal Cahiers du Cinema can be found in translated versions. EMPIRE magazine is also pretty good, as was Premiere magazine.
A subscription to Sight & Sound grants access to their entire 80-year back catalogue - a Google search can find whether a film has been covered by the magazine, which Mr Ekkel can then access!
KEY SOURCE: Sight & Sound magazine


NEWSPAPER REVIEWS AND FEATURE ARTICLES
Film reviews can help understand how a film was received at the time of release.
Critic Roger Ebert was a beautiful writer but is perhaps over-used by students. His website archives all his reviews and still runs under the supervision of his widow and a team of writers. Give weight to reviews by significant film writers, such as Pauline Kael, J Hoberman, Andrew Sarris, AO Scott or Peter Bradshaw.
Pay attention to reviews from key institutions like the New York Times, The Guardian and the Chicago Tribune and be cautious of low-quality sources like imdb users.
Under no circumstances quote a Rotten Tomatoes percentage as evidence! But you can use that site to find reviews from Top Critics.
KEY SOURCES: 
MRQE (Movie Review Query Engine) is an excellent resource for finding older reviews.
RogerEbert.com
The Guardian's Film website
List: The 25 best film critics of all time



DVD & BLU-RAY EXTRA FEATURES
Documentaries, cast & crew interviews, filmmaker commentaries. The website dvdcompare.net lists extra features for each film's home release - these are often different in different countries. Older films often have particularly good extras, especially those released as part of the Criterion Collection - CC has its own website that often has additional essays of its films..
KEY SOURCES: 
DVDCompare.net
Criterion Collection website



FILMMAKER INTERVIEWS
When a film is released, cast and crew spend a lot of time doing interviews with magazines, TV and radio in order to promote the film. For recent films, these are often uploaded to YouTube and can be excellent sources in understanding a film's themes and visual language. Interviews can also help understand a film's connection to its cultural context.
DVD extras often include a director's commentary track, while shorter featurettes online can often see directors narrating extracts from their films or breaking down their creative choices.

KEY SOURCES:
New York Times: Anatomy of a Scene series (short extracts from films, narrated by their directors)
Vanity Fair's Notes on a Scene video breakdowns
The Directors Commentary - Tumblr site archive of tracks



RADIO & PODCASTS
While there are many low-quality podcasts on film, the best ones offer insightful analysis on key films and filmmakers. Many offer director interviews and insights into the meanings of their films.
Regularly listening to podcasts can really help your understanding - listen to some on your way to school, perhaps.
These can be obtained by Soundcloud or from your smartphone's podcast app.

RECOMMENDED PODCASTS:
Art of the Cut (interviews with editors)
Art of the Score (analyses music)
Art of the Shot (interviews with cinematographers)
Behind the Screen - interviews with crew members of key films

Beyond the Screenplay (companion podcast to the excellent Lessons from the Screenplay video essay channel)
The Big Picture - Film discussion. Also an excellent recent series looking at the work of critics Ebert & Siskel

Blank Check (themed analysis that often looks at a director's whole filmography one episode at a time)
The Business (insights to the business side of the film industry)
​The Director's Cut (superb podcasts with film directors being interviewed by other directors)
Docs That Rock (focus on documentaries)
EasternKicks (focus on Asian cinema)
Film Comment (companion to the magazine - a little dry at time)
The Film Programme - BBC podcast discussing releases and key topics

Filmspotting - long running reviews and retrospectives
The Fog of Truth - documentary focus
IndieWire Screen Talk - discussion on key issues in the film industry
Kermode and Mayo's Film Reviews - reviews of latest releases
The Last Thing I Saw - discussion of films shown at film festivals, critical discussion and crew interviews
New Books in Film - interviews with authors about their new film-related books
The Next Picture Show - pairs two similar films (one old and one new), comparing their themes and use of film language.
NPR - Very trustworthy source
Steven Benedict - companion to his video essay channel. Short analysis of one film per episode. I learned a lot from his episode on The Double Life of Veronique.
The Projection Booth - long-form discussion and interviews
Pure Cinema - connected with Tarantino's New Beverley Cinema, the most niche geek-related film podcast out there. Tarantino guests sometimes!
The Q&A with Jeff Goldsmith - focus on screenwriting
Scriptnotes podcast - excellent discussion on writing screenplays
Seventh Row - film discussion with a focus on feminism and independent films. Also a good online journal and e-book publisher.
SoundWorks - sound design focus
Sound + Image Lab - sound design

Team Deakins - Cinematographer Roger Deakins' insights on cinematography. Excellent listening!
The Takeaway (previously known as The Treatment) - Elvis Mitchell interviews filmmakers and actors about their work.
The Video Essay Podcast - insights to making video essays
Writers on Film - interviews with authors of film books about their work
You Must Remember This - well-researched stories of Hollywood's Golden Age



DOCUMENTARIES
There are hundreds of documentaries about films, movements, directors, and film history. Use Mr Ekkel's spreadsheet (right) to find out what may be available; our Film Library's film documentaries section has many that you can watch.
The Story of Film is a great guide to film history and expertly analyses significant movements and films in a global context.

KEY SOURCES:
The Story of Film Wikipedia index


​
VIDEO ESSAYS
Video analyses of films is a thriving area of academic study, with many outstanding examples available. One note of caution is to beware low-quality videos made by students.
Good examples can highlight the use of film language, deeper meaning and link to cultural contexts.
Ensure you cite these by the writer's name, not the channel name!
Recommended video essays from some of the below can be seen right ->
As part of your coursework, you will make a video analysis of your own, so watch some frequently and learn from the best.

​​
RECOMMENDED CHANNELS:
Accented Cinema (specialism of Asian cinemas)
Brows Held High (Kyle Kallgren's intellectual analyses)
Captain Midnight - Good analysis of blockbuster films and TV
The Closer Look
Corridor Crew (breakdowns of how to do visual effects and stunts)
Dan Golding (focus of film music)
Every Frame a Painting (no longer active, but a great archive analysing film language)
Fandor (short and sweet on film history)
Indie Film Hustle
​
Jack's Movie Reviews (no longer publishing, but a great archive of short analysis of key films)
Lessons From the Screenplay (focus on writing, character and structure)
Like Stories of Old - philosophy and film. Some of his work borders on the transcedant!
Lindsay Ellis (especially good on Feminism and film theory)
Listening In (focus on film music)
​Little White Lies - magazine's online channel with some great essays
Nerdwriter - short insights into film and art
Patrick H Willems - Not so good since he started appearing on camera but some observant, thoughtful film analysis.

Pop Culture Detective (focus on gender representations, especially of men)
Renegade Cut (some political stuff too, but some very good film analysis)
​Screened (focus of film genres)
Steven Benedict
​StudioBinder (superb film breakdowns and use of film elements)
The Take (formerly ScreenPrism)
This Guy Edits - Editing analysis and tips from an professional
​Thomas Flight
​
Wolfcrow - Nice look at cinematography with tips and breakdowns


A sample Amazon search for books about director Christopher Nolan:
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A Google search for academic journals on Chinese cinema:
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JSTOR login:
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PULITZER PRIZE WINNING FILM CRITICS:
Roger Ebert (Chicago Sun-Times)​
Stephen Hunter (Washington Post)
Joe Morgenstein (Wall Street Journal)
Mark Feeney (Boston Globe)
Welsey Morris (Boston Globe)
Emily Nassbaum (New Yorker, for TV reviews)

Manohla Dargis (New York Times) has never won, but has been shortlisted five times!
An excellent radio interview discussing the visual language and social context of Paul Greengrass's 22 JULY
NYT's Anatomy of a Scene - excellent example from Whiplash
Vanity Fair: Director Rian Johnson breaks down one of his scenes from Knives Out.
One of my favourite podcast episodes - a hugely insightful talk with Guillermo del Toro about The Shape of Water, its context and use of film language:
The Director's Cut ยท The Shape of Water with Guillermo del Toro and Baz Luhrmann (Ep. 121)
REK's favourite film podcasts:
1. Filmspotting
2. Kermode & Mayo's Film Reviews
​3. The Last Thing I Saw
4. Writers on Film
5. The Director's Cut
​6. The Business
7. Team Deakins
8. The Next Picture Show
​9. Art of the Score
10. IndieWire Screen Talk
Documentaries about Film master list:
documentaries_about_cinema.xlsx
File Size: 217 kb
File Type: xlsx
Download File

Some of my favourite video essays:

Using Sources: Top Tips
-Never end a section with a quotation. This gives you no chance to explain what it shows and makes it seem like you can't summarise things in your own words.
-Use a quotation as a starting point, then build upon it.
-Consider a quotation as the first E in PEE (point, evidence, explanation). So use quotes to support your points, but always spend time developing your point after, as well as explaining why the quote is useful.
-You can also use a quote to begin an opposite argument. Example: While John Smith called the film "lazy and boring" (Smith, 2020) in his New York Times review, I feel it is a masterpiece of modern cinema.
- Quotes are always helpful in establishing cultural contexts, but can be particularly helpful in understanding director's intention and film language. Many students don't use this latter type of quote often enough.
-Don't use a quotation in a Conclusion.

Citing Sources
One you have found and selected a useful quotation (remember: you can also pick a quotation to argue against!), use quotation marks when placing it in your writing to ensure that the quote is clear. Not doing this risks accusations of plagiarism.
Introduce a quote by briefly explaining the reliability of the source, if possible.
Following each quote, write the author's name and year of publication. Later, this can be cross-referenced with your bibliography.

EXAMPLE:
As Sight & Sound's Asian cinema expert Tony Rayns points out, "In the Mood for Love is Wong Kar-wai's masterful study of missed opportunity and the pain of regret" (Rayns, 2007). This elegantly summarises the key themes of the film.

Use the documents below for reference on how to correctly cite video sources, podcasts, online interviews, etc.

Microsoft Word has a bibliography & citations generator in its menu options, though you can also utilise websites like citethisforme.com to generate your List of Sources

Harvard referencing samples.pdf
File Size: 245 kb
File Type: pdf
Download File

How to cite video sources.pdf
File Size: 420 kb
File Type: pdf
Download File

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